Performance, Cognitive Theory, and Devotional Culture:

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Armelagos and Sirridge thereby conclude that it is the dance performance, and not the actual score or any abstract notational structure in Goodman’s sense, that is the primary work of art for purposes of identity. (For a critique of what she calls Goodman’s “notational view” and of what she calls this “canonical performance” view, see Conroy 2013b. These liberal studies courses are scheduled during the first three years of the program.

Pages: 264

Publisher: Palgrave Macmillan; 1st ed. 2010 edition (January 14, 2014)

ISBN: 1349287717

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