Practicing the City: Early Modern London on Stage

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If I withhold half a star on this occasion – the opening night... more> Opera Review: Glyndebourne presents Strauss's Ariadne auf Naxos For their first new production of a Richard Strauss opera since the house was rebuilt in 1994, Glyndebourne - or more specifically, Glyndebourne's outgoing musical director Vladimir Jurowski - chose to open the 2013 season by mounting the 1916 version of the perennially fascinating... more> Opera Preview: Garsington Opera Preview 2013 There were those who wondered how long Garsington Opera would be able to continue and to survive when it finally had to depart Garsington Manor, a few years after the death of Garsington founder Leonard Ingrams in 2005, but they reckoned without the extraordinary loyalty – and fund-raising ability – of a core... more> Opera Preview: Wasfi Kani in Conversation and Grange Park Opera's 2013 Season Anniversaries are in the air this year, with worldwide exposure of the greater (and lesser) operatic works of Britten, Verdi and Wagner everywhere, but at the Grange in Northington, a few miles north of Winchester where Grange Park Opera is preparing for its 16th annual opera festival... more> Opera Interview: Lianna Haroutounian on the Royal Opera's Don Carlo Haroutounian prefers the five-act version of Don Carlo in Italian, but for an insightful dramatic reason: “The audience gets the complete experience of her story if there are five acts.

Pages: 208

Publisher: Fordham University Press; 1 edition (January 4, 2016)

ISBN: 0823267865

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