By Charles Cahier
Relying on ancient wall and flooring tiles, cloth styles, tapestries, wall hangings, and different designs originating within the center a while, the Renaissance, and later ecu and Islamic cultures, Charles Cahier (1807–1882) and Arthur Martin (1802–1856) produced a piece of real inventive contrast. integrated are a wealth of just right floral, animal, chook, and geometric styles, rigorously researched and meticulously redrawn to be used in a myriad of image and inventive tasks. a few of the motifs are followed via complementary border designs, a regularly crucial accent.
This version faithfully reproduces the variation released in 1868, titled Suite aux mélanges d'archéologie. It represents a useful copyright-free source embodying the best designs from old assets, prepared to be used through artists, illustrators, craftspeople, and architects operating with textiles, wallpapers, inside ornament, and different projects.
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Additional resources for 376 decorative allover patterns : from historic tilework and textiles
III. Title: Three hundred seventy-six decorative allover patterns from historic tilework and textiles. IV. Series. 4’42—dc20 89-36970 CIP Table of Contents Title Page Copyright Page Publisher’s Note Publisher’s Note THE QUALITY OF DESIGN in crafted and manufactured products of all types-and in the packaging and advertising of those products—was a primary concern of the great industrial nations in the nineteenth century. Rivalry between France and England for design leadership in Europe was increased by each of the great world’s fairs held periodically in London and Paris, beginning with the Crystal Palace Exhibition of 1851.
The older man, Arthur-Marie Martin, born in 1801, was a gifted amateur artist from childhood. Charles Cahier, born in 1807, shared Martin’s antiquarian interests and became a steady coworker. From 1841 to 1844 they issued the plates and commentary for the Monographie des vitraux de St-Etienne [or de la cathédrale] de Bourges (Monograph on the Stained Glass Windows of St-Etienne [the Cathedral] of Bourges), a publication partly funded by their clerical order. Between 1847 and 1856, Cahier and Martin were responsible for four installments of an ongoing project they called Mélanges d’archéologie, d’histoire et de littérature (Miscellany of Archaeology, History and Literature).
The present volume contains all the illustrations from just such a set of portfolios, but a set that is particularly rare and unusual. The two authors were French Jesuit priests. From its inception in the sixteenth century, the Society of Jesus has had an important educational mission. In the case of Fathers Cahier and Martin, this took the form of art-historical investigations of motifs and patterns from Christian lands, chiefly of the medieval period. The older man, Arthur-Marie Martin, born in 1801, was a gifted amateur artist from childhood.