By Robert B. Ray
From the airborne dirt and dust jacket: "Robert B. Ray examines the ideology of the main enduringly well known cinema on this planet – the Hollywood motion picture. Aided by way of 364 body enlargements, he describes the advance of that traditionally overdetermined shape, giving shut readings of 5 normal situations: Casablanca, It's a superb existence, the guy Who Shot Liberty Valance, The Godfather, and Taxi motive force. just like the heroes of those videos, American filmmaking has refrained from dedication, in either plot and approach. rather than opting for left or correct, avant-garde or culture, American cinema attempts to have it either ways.
Although Hollywood's advertisement luck has led the realm viewers to equate the yankee cinema with movie itself, Hollywood filmmaking is a specific process designed to answer particular old occasions. As an paintings constrained in theoretical scope yet wealthy in person diversifications, the yankee cinema poses the main fascinating query of pop culture: Do dissident types have any probability of ultimate freed from a mass medium looking to co-opt them?
This isn't the world's top test (you can see a part of the scanner's hand from time to time), however it is a readable reproduction of this hard-to-find ebook until eventually a qualified experiment comes alongside. "
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Extra info for A Certain Tendency in the Hollywood Cinema, 1930 - 1980
The films under consideration range from straightforward narratives to more experimental formats, and, all in all, Carson has done an impressive job of gathering a great deal of disparate material within the confines of one course. Elizabeth Hadley Freydberg's course file, "Women of Color," makes significant inroads into the area of films and filmmakers of nonhegemonic culture. Freydberg selects films and study materials for units on Caribbean and Latin American women, lesbians, African women, and Native American women and exposes interracial alliances and concerns that cut across the borders of race and class.
Toute une Nuit makes us change the way we read a film. (16) Akerman's more recent film, Night and Day (1991), departs significantly in style from these earlier films. The film is much more commercially oriented and narratively constructed. The film centers around the life of Julie, a young woman who lives in Paris and who makes love to one man by night and another man by day. At the end of the film, Julie walks away from both lovers. The film is stunning in terms of cinematography and the use of color and framing.
Washington Square News, March 29, 1989, 5, 10, 17, 18. Hartog, Simon. " Framework 28 (1985): 64-77. Harvey, Sylvia. 5-6 (1974): 71-75. Heck-Rabi, Louise. Women Filmmakers: A Critical Reception. Metuchen, NJ: Scarecrow Press, 1984. hooks, bell. Black Looks: Race and Representation. Boston: South End Press, 1992. Jackson, Lynne, and Jean Rasenberger. 4 (1988): 23-37. Jaehne, Karen. 2 (1984): 16-19. Johnston, Claire. " Notes on Women's Cinema: Screen Pamphlet No. 2 (1974): 24-31. Kaplan, E. Ann.