By J. Gerald Kennedy
Edgar Allan Poe (1809-1849), son of itinerant actors, holds a safe position within the firmament of heritage as America's first grasp of suspense. exhibiting scant curiosity in local scenes or fabrics, Edgar Allan Poe turns out the main un-American of yankee writers throughout the period of literary nationalism; but he was once while a practical magazinist, totally engaged in pop culture and very occupied with the "republic of letters" within the usa. This ancient consultant includes an advent that considers the tensions among Poe's "otherworldly" settings and his traditionally marked representations of violence, in addition to a pill biography situating Poe in his historic context. the next essays during this publication hide such issues as Poe and the yank Publishing undefined, Poe's Sensationalism, his relationships to gender structures, and Poe and American privateness. the amount additionally features a bibliographic essay, a chronology of Poe's lifestyles, a bibliography, illustrations, and an index.
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Additional info for A Historical Guide to Edgar Allan Poe (Historical Guides to American Authors)
Seizing on local interest in balloon ascensions, he concocted for the June Messenger a madcap science fiction tale, "The Unparalleled Adventure of One Hans Pfaall," depicting an imaginary trip to the moon. In a letter that same month he hinted broadly that he would be pleased to work for White. 'At present a very small portion of my time is employed," he reported (L, 63). The following month Poe purchased ink for White in Baltimore, and in early August he journeyed south to A Brief Biography 35 lend personal assistance, for White was then ill and shorthanded after dismissing his editor.
White, an ambitious Richmond printer who decided in late 1834 to profit from the boom by establishing a new periodical, the Southern Literary Messenger. Poe sent an original manuscript, and the March 1835 issue featured the gruesome "Berenice," a story of such questionable taste that Poe, in proposing further tales each month, felt compelled to assure White that he would "not sin quite so egregiously again" (L, 58). " To ingratiate himself with White, Poe also composed for the Baltimore Republican and Commercial Advertiser unsigned laudatory notices of the new journal, which included appreciative comments about his own contributions.
About this time he also began to represent himself in letters as editor of the Messenger, and critical notices reprinted in the journal so identified him as well, but—and the point is crucial—White never confirmed the appointment by changing the masthead to reflect Poe's control over editorial matters. A thorny problem for Poe and the journal itself emerged from the slavery crisis of the 1830s. Since William Lloyd Garrison had launched the abolitionist movement in 1831 with his fiery newspaper, the Liberator, Southerners who had been divided themselves about the "peculiar institution" felt under increasing scrutiny in their public discourse.