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An Spanish publication on creative ideas - Watercolour Temper-Pastel-Acrylics.

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Sample text

The little book which made such a big impact was called The Message for García and was based on a tale from the Spanish-American war in Cuba. A message had to be delivered to García, the leader of the uprising, who was somewhere – no-one knew where – deep in the jungle. A young private soldier was dispatched to carry the message to García. The story never reveals García’s identity, or why he needed the message. What was the message? We have no idea, and the point is that we should not ask. Not even the hero of the story asks these questions.

Without ice? 2: Will we be bombed, or not bombed? 3: Shall we play seven or vingt-et-un? All the same, he was invariably sweet to Katze, and Katze wondered what it must feel like to secure the man you loved. Katze had done that herself, of course, in a way. But still. Mama, old Sara, Papa’s widow, sat with her head shaking and a net over sparse blue hair. Everyone had been afraid that she would get up to speak and go on about Papa’s memory. She had only been a widow for two years, and she was a tireless speechifier – but, exceptionally in the family, she needed little notes to jog her memory.

Had Mama’s strictness and Papa’s vagueness shackled him? Was he teased at school about his red hair and big nose? He had high spirits, but not an ounce of self-belief. And in a way that was strange. It was obvious how a woman, dependent on her reflection in a husband, could lack self-confidence. But a man? It contradicted nature. And Liane? How had she turned out like this? Surely not because they had spent a night in a brothel during the flight from Riga? Was it there Liane had been ruined? They hadn’t been able to find a hotel throughout the drive across Germany because there were notices everywhere saying “Juden nicht erwunscht”.

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