By Diana Weynand
Up-to-date for ultimate minimize professional 7 and written for pro video and picture editors who recognize their approach round Avid nonlinear structures, this e-book exhibits you the way to translate your talents to ultimate lower professional quick and successfully. manufacturer, editor, and Apple qualified coach Diana Weynand takes you thru a entire “translation path” overlaying all of the crucial operations, from venture set-up and uncomplicated enhancing via transitions and results, colour correcting, compositing, titling, and output. You’ll locate special characteristic comparisons, functional conversion information, and directions on easy methods to use ultimate lower professional gains that aren’t to be had in Media Composer. You’ll additionally study what’s new in ultimate minimize professional 7. choked with convenient gains, together with comparability charts, look-up tables, keyboard shortcuts, and dozens of complex enhancing and workflow counsel, this booklet may have you modifying with ultimate minimize professional in list time. each one bankruptcy represents an entire lesson in a key element of ultimate reduce professional 7 and incorporates a assessment part and checklist of keyboard shortcuts. available writing variety places knowledgeable teacher at your facet plentiful illustrations and keyboard shortcuts assist you grasp options quick bankruptcy overview sections summarize what you’ve discovered
Read Online or Download Apple Pro Training Series: Final Cut Pro for Avid Editors (4th Edition) PDF
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Extra resources for Apple Pro Training Series: Final Cut Pro for Avid Editors (4th Edition)
If you don’t want to snap to a particular track, toggle off the Visible or Audible control for that track. To turn snapping off and on: Do one of the following: In the Timeline button bar, click the Snapping button. Choose View > Snapping. Press N. You can press N to toggle snapping off or on while you are moving the playhead and performing other editing functions, such as slipping, sliding, or trimming. When snapping is active, and you drag the playhead over an edit point, mark, keyframe, or locator, little brown triangles appear in the Timeline on either side of the playhead.
FCP lets you have multiple sequences open at the same time. As with projects, each sequence has its own tab in the Canvas and Timeline. NOTE Some of the functions under the image area in the lower part of the Canvas window mirror those in the Viewer. Sequence name and project Location in Timeline Duration field Scrubber bar (Avid’s position bar) Playhead (Avid’s position indicator) Shuttle control Jog wheel Edit buttons Transport buttons Editing and marking controls Look closely at the FCP icons to familiarize yourself with the FCP interface.
When snapping is off, the triangles do not appear, and the playhead remains thin. com> Enabling View Overlays Playhead snapping to edit point 37 Playhead over edit point with snapping off Although the playhead does not snap to the tail of a clip, you can snap to the head of a clip and press the Left Arrow key to go backward one frame. Enabling View Overlays Avid users are no strangers to timecode registers accessible above the Source and Record monitors. Information displayed can include clip info, timecode, clip duration display, and so on.