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By Christopher Hight

A theoretical historical past of anthropomorphism and share in glossy structure, this quantity brings into concentration the discourse round percentage with present difficulties of post-humanism in structure along the recent probabilities made on hand via electronic applied sciences.

The booklet examines how the physique and its ordering has served as a primary web site of architectural discourse in fresh many years, specially in makes an attempt to reformulate architecture’s courting to humanism, modernism and know-how. hard a few recommendations and different types of architectural heritage and situates present debates inside a broader cultural and technological context, Hight makes complicated rules simply accessible.

Extensively illustrated and written with no educational jargon for an educated yet non-specialized architectural viewers, this e-book elucidates the usually imprecise debates of avant-garde architectural discourse and layout, whereas demonstrating how those debates have affected daily locations and ideas of structure. hence, it's going to entice specialist architects, teachers and scholars, combining because it does an insightful advent to the elemental problems with architectural heritage and conception during the last fifty years with totally new formulations of what that historical past is and capability.

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Extra resources for Architectural Principles in the Age of Cybernetics

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35 Lynn recognizes that Rowe’s project itself is dependent upon the eidetic conception of architectural order, in which it is the theorist-critic’s job to reveal the whole hidden order of architecture that, as it were, lies beneath the decorative and contingent aspects of their forms. Lynn therefore suggests that the Vitruvian system has informed not simply the processes of design but also the methods and representations of history and theory, determining what “counts” as proper architecture and order well into modernity and its historical accounts of its past.

25 By interior, Lynn does not refer to physical enclosure but to the idea of what “belongs” or as Catherine Ingraham has put it, what is “proper to” architecture as a discipline. It is worth examining this because it bears directly on how he and Agrest believe architecture signifies subjectivity and how one might propose different ideologies and power structures. 26 Like Agrest, Lynn characterizes architecture as: [a] closed system in which all parts are regulated by the whole is organized from the top down.

15 Instead, the origin of modern architecture is to be found in the erosion of the metaphoric relationship between the body and architecture and thus of architecture’s “necessary condition” itself. Pérez-Gómez located the beginning of this erosion in later seventeenthcentury France and in Claude Perrault’s controversial treatise, Ordonnance des cinq espèces de colonnes selon la méthode de anciens (1683). 16 Because Perrault’s Ordonnance figures so strongly in this argument, it is useful to examine his interpretation in detail.

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