Download Bakhtin and Genre Theory in Biblical Studies (Society of by Roland Boer PDF

By Roland Boer

This quantity bargains a gathering among style thought in religious study and the paintings of Mikhail Bakhtin, who is still immensely influential in literary feedback. right here Bakhtin comes head to head with a primary zone of bible study: the query of style. The essays diversity from common discussions of style during the interpreting of particular biblical texts to an engagement with Toni Morrison and the Bible. The members are John Anderson, Roland Boer, Martin J. Buss, Judy Fentress-Williams, Christopher Fuller, Barbara eco-friendly, Bula Maddison, Carleen Mandolfo, Christine Mitchell, Carol A. Newsom, David M. Valeta, and Michael Vines.

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A final perspective on genres that holds particular promise for the investigation of apocalyptic literature comes from the work of the Bakhtin circle. For Bakhtin and his colleagues genre is not simply a literary form but a mode of cognition. … The artist must learn to see reality with the eyes of the genre” (Medvedev 1978:133). Medvedev compares the different ways of conceptualizing reality that are accessible to a graph as opposed to a painting, or to a lyric poem as opposed to a drama or a novel.

Because every circumstance is different, every part of the network open to influence, power also is not reducible to form: it does operate in a multitude of ways and means. But, as commentators on Foucault have noted, defining power in this way also runs into difficulty, specifically with respect to the problem of the theory and the examples; Foucault’s examples are something less than his theoretical formulation (Beer: 85–90). That is, the examples can easily be seen as examples of dominating or repressive power, rather than the flow of power between individuals.

At the same time it gives more discipline to the family resemblance approach, since not every resemblance or deviation is of equal significance (Swales: 52). As applied to genre categories, prototype theory would require an identification of exemplars that are prototypical and an analysis of the privileged properties that establish the sense of typicality. How would this approach compare with the project of the Apocalypse Group? In fact, it appears that they intuitively worked with something like a prototype model.

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