Download Basics: Architecture and Dynamics by Franziska Ullmann PDF

By Franziska Ullmann

What components represent house? What s a solitaire and what makes a solitaire a monument? Why is a development profane and what makes an area a sacred area? Why appear Zaha Hadid s structures to be dynamic structures? those and plenty of different concerns are addressed in "Basics". In an instantaneous disagreement of textual content and images of overseas structures, that means and influence of simple architectural components are studied either discretely and inside of compounds ranging from Wassily Kandinsky s visible arts comparable research "Point and Line to Plane". Transferred on normal and synthetic items, the influence of those parts isn't based at the exterior visual appeal yet really at the rigidity inherent to kinds. therefore, the second version of this common ebook is now on hand in English. it's been revised and a foreword through structure theorist Otto Kapfinger extra.

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The Echigo-Matsunoyama Museum of Natural Science by Tezuka Architects is a linear building whose end points are architectonically elaborated by a tower and a coiled end. [See also p. 91] The installation which passes straight through Castle Solitude near Stuttgart plays off the central axis of the sala terrena, emphasizing the looking through and looking out over the downward sloping lawn. The linear structure starts inside the palace with the upper surface flush with the floor and extends horizontally outward.

By virtue of their centeredness circular figures are easy to recognize, even if incomplete. The conductor of an orchestra stands at its center from which he can oversee the whole semicircular formation while the attention of the musicians is concentrated on him as the focal point. grouping Point Line Plane Space Page 44 Page 45 Space Filter. Spatial Arrangement Non-directional point-elements can be arbitrarily placed in relation to other different sized point-elements. These relations determine force of expression and cohesion, as Wassily Kandinsky shows in a study on painting.

The structure of curved lines is governed by the laws of geometry. Thus, for example, every round arch has a fixed center and is determined by its radius. Curved lines shift direction at their inflection points. Depending on their curvature they suggest a closer or more distant center. suggested center Umberto Boccioni, a member of the Italian Futurist movement, writes the following about sculptural dynamism. If the Impressionists think the object is a nucleus of vibrations that appear as color, then to us Futurists the object is, in addition, a nucleus of directions that appear as form.

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