By Douglas Keesey
During the last 5 many years, the movies of director Brian De Palma (b. 1940) were one of the greatest successes (The Untouchables, project: Impossible) and the main high-profile mess ups (The Bonfire of the Vanities) in Hollywood background. De Palma helped release the careers of such well-liked actors as Robert De Niro, John Travolta, and Sissy Spacek (who was once nominated for an Academy Award as top Actress in Carrie). certainly Quentin Tarantino named Blow Out as considered one of his best 3 favourite movies, praising De Palma because the most sensible residing American director. Picketed through feminists protesting its depictions of violence opposed to girls, Dressed to Kill helped to create the erotic mystery style. Scarface, with its over-the-top functionality through Al Pacino, is still a cult favourite. within the twenty-first century, De Palma has persisted to scan, incorporating components from videogames (Femme Fatale), tabloid journalism (The Black Dahlia), YouTube, and Skype (Redacted and Passion) into his most recent works. What makes De Palma this sort of maverick even if he's making Hollywood style movies? Why do his video clips usually characteristic megalomaniacs and failed heroes? Is he in simple terms a misogynist and an imitator of Alfred Hitchcock? to respond to those questions, writer Douglas Keesey takes a biographical method of De Palma's cinema, exhibiting how De Palma reworks occasions from his personal existence into his movies. Written in an available sort, and together with a bankruptcy on each of his movies so far, this ebook is for someone who desires to comprehend extra approximately De Palma's debatable movies or who desires to greater comprehend the guy who made them.
Read or Download Brian De Palma's Split-Screen: A Life in Film PDF
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Additional resources for Brian De Palma's Split-Screen: A Life in Film
Alas, the movie version is a heavy-handed, ill-conceived, badly rewritten adaptation of that show. Aileen Quinn is a fine choice in the title role of a Depression-era foundling who survives the “hard-knock life” at Miss Hannigan’s orphanage to find refuge (and a dreamlike existence) in the palatial home of billionaire Daddy Warbucks. Albert Finney, best known for his varied dramatic performances on stage and film, is warm and engaging here, and even gets to sing and dance. But the talented Carol Burnett plays the mean Miss Hannigan with too much acid (which can work on stage, where a caricature is acceptable).
Whom he naturally romances, and she eventually helps him defeat the pirates. This enjoyable minor swashbuckler is well mounted and performed with gusto. It was remade as The King’s Pirate in 1967. 19 Leonard Maltin—Family Film Guide [e-reads] AIR BUD (1997) Color, 97 minutes Cast: Kevin Zegers, Wendy Makkena, Michael Jeter, Bill Cobbs, Buddy Director: Charles Martin Smith Screenplay: Paul Tamasy and Aaron Mendelsohn, based on the character created by Kevin DiCicco Comedy/Animal story/Sports Rated PG Younger children: VG Older children: OK Buddy the golden retriever—who has the uncanny ability to shoot baskets—escapes from his owner, a mean and incompetent clown named Happy Slappy (Michael Jeter).
And to do what ants are trained not to do, namely, buck the system. This interferes with the nefarious plans of General Mandible (Gene Hackman), who cares nothing about the ant colony and only about his quest for power. With a winning screenplay, ideal voice talent, and an eyeful of sights we’ve never seen yet on screen, Antz is great fun from start to finish. It relies on themes and story principles that have never failed yet—rooting for the underdog, breaking the rules to do what you believe, etc.