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This mysterious sensation is always dubious, never stating but only suggesting. Ruskin called it sublime, which means, in addition to being imprecise, grandiose, beyond human comprehension, whose logic is not fully understood. To Ruskin, the sublime is the sensation that appears from the material when visually confronted for the :first time. In other words, the sublime is the apprehension of the spirit of the material related to the memories of the spectator's life experience, which is also related to a logic in nature.

Ruskin wrote a historical narrative to justifY this regionalist predilection, dividing the history of the ornament into periods. The main point of the story is the rise of Christianity. According to Ruskin, the anti-slavery position of Christianity allowed manifestations of local culture, also assuring the expression of builder's subjectivity. "We have then, three orders of ornament, classed according to the degrees of correspondence of the executive and conceptive minds. We have the servile ornament, in which the executive is absolutely subjected to the inventive, - the ornament of the great Eastern nations, more especially Llamite, and all pre-Christian, yet thoroughly noble in its submissiveness.

The highest of organic purities are composed of many elements in an entirely helpful state. The highest and first law of the universe - and the other name of life, is therefore, help. The other name of death is separation. Government and coopenttion are in all things and eternally the laws of life. Anarchy and competition, eternally, and in all things, the laws of death. (Ruskin, J. Modem Painters, v. I60) 21 expressed by the interdependence of its parts, as is the case of pictorial composition.

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