By Elza Adamowicz, Eric Robertson
This choice of serious essays celebrates the subversive and not easy creativity of the Dada circulation, born in pacifist Zurich in 1916 in violent response to the 1st global warfare. It examines the collective and person actions that came about below the identify of Dada in Zurich, Cologne, Berlin, Paris, long island and Barcelona, and explores a few of the inventive varieties hired, together with textual content, college, photomontage, items, dance, functionality and picture. The authors recommend new methods of knowing the paintings of the main recognized Dadaists, whereas additionally casting gentle at the contribution of hitherto overlooked figures. "Dada was once a bomb", declared Max Ernst in an interview in 1958. "Can you think somebody, virtually part a century after the explosion of a bomb, attempting to gather its fragments and stick them jointly to be able to exhibit them?" the purpose of this quantity isn't really to reconstitute the bomb, yet to examine a few of its explosive results and after-effects that proceed to resonate approximately a century later. faraway from trying to decrease Dada to a homogeneous stream, or to outline a unifying precept underneath and past the a number of instructions taken by means of Dadaists, this assortment goals to recognize the variety and heterogeneity of the movement's collective actions in addition to the specificity of its person actors.
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Extra info for Dada and Beyond: Volume 1: Dada Discourses
2002. De dangereux édifices. Saussure, lecteur de Lucrèce. Les Cahiers d’anagrammes consacrés au De Rerum Natura. Louvain/Paris: Peeters, bibliothèque de l’information grammaticale. Genette, Gérard. 1976. Mimologiques, Voyage en Cratylie. Paris: Le Seuil. Gourmont, Remy de. 1923. Le Chemin de Velours. Paris: Mercure de France. Henry, Victor. 1883. Etude sur l’analogie en général et sur les formations analogiques de la langue grecque. Thèse pour le doctorat présentée à la Faculté des Lettres de Paris.
Language is dissected into its smallest independent units. Dissecting the Order of Signs 43 Figure 2. Raoul Hausmann, “OFFEAH” (1918) Schwitters’ “gesetztes Bildgedicht” and in particular his “i-Gedicht” [figure 3] could be considered as the most radical manifestations in this lineage: here, all that remains is the singular monadic letter, language is stripped down to its smallest constitutive building blocks. Letters are no longer tools for representing an absent object, but refer only to their own material essence.
Paris: Éditions du Seuil. Bürger, Peter. 1974. Theorie der Avantgarde. Frankfurt am Main: Suhrkamp. ). 1981. Dada. Zurich – Paris. Paris: Édition Jean-Michel Place. Greenberg, Allan C. 1985. “The Dadaists and The Cabaret as Form and Forum” in Foster, Stephen C. ). Dada/Dimensions. Ann Arbor, Michigan: UMI Research Press. Hausmann, Raoul. 1977. “Dada empört sich, regt sich und stirbt in Berlin” in Riha (1977): 10–11. ——. 1982. Sieg Triumph Tabak mit Bohnen. Texte bis 1933 I – II (ed. Michael Erlhoff).