By Ana M. Barbancho, Isabel Barbancho, Lorenzo J. Tardón, Emilio Molina
Database of Piano Chords: An Engineering View of Harmony contains a certain database of piano chords built solely for tune examine reasons, and descriptions the most important merits to utilizing this dataset to extra one’s learn. The ebook additionally describes the actual bases of the occidental track chords and the impression utilized in the detection and transcription of the track, allowing researchers to in detail comprehend the development of every occidental chord. the net database comprises greater than 275,000 chords with varied levels of polyphony and with assorted taking part in types. jointly, the database and the booklet are a useful instrument for researchers during this field.
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Database of Piano Chords: An Engineering View of concord encompasses a specific database of piano chords built completely for track study reasons, and descriptions the main merits to utilizing this dataset to additional one’s learn. The booklet additionally describes the actual bases of the occidental song chords and the impact utilized in the detection and transcription of the tune, permitting researchers to in detail comprehend the development of every occidental chord.
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Extra info for Database of Piano Chords: An Engineering View of Harmony
If we compare the spectrum of C4 (Fig. 12b) with the spectra of Gb5 (Fig. 12c) and Eb6 (Fig. 12d), it can be seen that there is no harmonic relation between these notes. So, these types of chord are easier to detect than, for example, the perfect major chord. In music, consonant intervals are more frequent that dissonant intervals. So, trained musicians find it more difficult to identify pitches of dissonant intervals than in consonant intervals . However, if we compare the spectrum of the consonant chord represented in Fig.
For polyphony 2 recordings, due to the large number of recordings, seven directories have been created, that are related to the interval between the two notes that compose each chord. 8, the names of the directories for polyphony 2 are presented. Furthermore, each of the directories containing polyphony 2 recordings, is divided into three directories, recording to the bass note. 9 the names of these directories are presented. The recordings with polyphony 3–10 are organized into directories related to the fundamental tone of the key of the recorded chord.
The other dynamics have been amplified 8 dB in the case of Mezzo and 24 dB in the case of Piano. This feature should be considered before a direct comparison of amplitudes between the various dynamics. Each file, contains a single chord or a single note, as we presented in the beginning of Sect. 3. The naming of the recorded chord is the more common for each of the recorded keys (C Major, C minor, A Major, A minor, Eb Major and Eb minor) (see Sect. 2). This database will be available to the researching community on Springer’s Extra Materials website.