By Laurent Creton
Confronté à l’emprise croissante du système téléaudiovisuel et à l. a. concurrence renouvelée de los angeles construction américaine, le cinéma français est en quête d’identité et cherche les voies d’un regain de compétitivité.
Économie du cinéma offre un cadre conceptuel pour étudier le jeu des acteurs en présence et pour analyser les enjeux, les suggestions, les déploiements et les stipulations de mise en œuvre de leurs stratégies.
La nouvelle édition de cet ouvrage de référence permet de mieux comprendre le fonctionnement de los angeles filière cinématographique et de tracer ses principales views dans une période de recomposition industrielle et de bouleversement technologique.
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Extra resources for Économie du cinéma : Perspectives stratégiques (4e édition)
The films under consideration range from straightforward narratives to more experimental formats, and, all in all, Carson has done an impressive job of gathering a great deal of disparate material within the confines of one course. Elizabeth Hadley Freydberg's course file, "Women of Color," makes significant inroads into the area of films and filmmakers of nonhegemonic culture. Freydberg selects films and study materials for units on Caribbean and Latin American women, lesbians, African women, and Native American women and exposes interracial alliances and concerns that cut across the borders of race and class.
Toute une Nuit makes us change the way we read a film. (16) Akerman's more recent film, Night and Day (1991), departs significantly in style from these earlier films. The film is much more commercially oriented and narratively constructed. The film centers around the life of Julie, a young woman who lives in Paris and who makes love to one man by night and another man by day. At the end of the film, Julie walks away from both lovers. The film is stunning in terms of cinematography and the use of color and framing.
Washington Square News, March 29, 1989, 5, 10, 17, 18. Hartog, Simon. " Framework 28 (1985): 64-77. Harvey, Sylvia. 5-6 (1974): 71-75. Heck-Rabi, Louise. Women Filmmakers: A Critical Reception. Metuchen, NJ: Scarecrow Press, 1984. hooks, bell. Black Looks: Race and Representation. Boston: South End Press, 1992. Jackson, Lynne, and Jean Rasenberger. 4 (1988): 23-37. Jaehne, Karen. 2 (1984): 16-19. Johnston, Claire. " Notes on Women's Cinema: Screen Pamphlet No. 2 (1974): 24-31. Kaplan, E. Ann.