By Mizuko Ito, Daisuke Okabe, Izumi Tsuji
In recent times, otaku tradition has emerged as considered one of Japan’s significant cultural exports and as a really transnational phenomenon. This well timed quantity investigates how this as soon as marginalized pop culture has come to play a massive position in Japan’s identification at domestic and overseas. within the American context, the be aware otaku is better translated as “geek”—an ardent fan with hugely really good wisdom and pursuits. however it is linked specially with fanatics of particular Japan-based cultural genres, together with anime, manga, and games. most crucial of all, as this assortment exhibits, is the best way otaku tradition represents a newly participatory fan tradition during which fanatics not just manage round area of interest pursuits yet produce and distribute their very own media content material. during this number of essays, jap and American students supply richly distinct descriptions of ways this as soon as stigmatized jap formative years tradition created its personal replacement markets and cultural items reminiscent of fan fiction, comics, costumes, and remixes, turning into an immense foreign strength which could problem the dominance of industrial media. through exploring the wealthy number of otaku tradition from a number of views, this groundbreaking assortment offers attention-grabbing insights into the current and way forward for cultural construction and distribution within the electronic age.
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Additional info for Fandom Unbound: Otaku Culture in a Connected World
Cambridge, MA: MIT Press. In tr o d u c t io n xxxi Weber, Steven. 2004. The success of open source. Cambridge, MA: Harvard University Press. Willett, Rebekah. 2004. The multiple identities of Pokémon fans. In Pikachu’s global adventure: The rise and fall of Pokémon, ed. Joseph Tobin, 226–240. Durham, NC: Duke University Press. This page intentionally left blank I CULTURE AND D I S C O URS E This page intentionally left blank 1 Why Study Train Otaku? A Social History of Imagination izumi tsuji WHAT ARE TRAIN OTAKU?
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The youth of this era built models that mimicked existing objects while imagining the future of postwar Japan. Trains, especially electric trains, took center stage as the medium of imagination. Once Japan reached the era of illusion in the lower left quadrant, both Japanese society and the culture of imagination were forced to enter a transition. With the advent of postindustrial consumer society, railways went into decline. This, in turn, signified the advent of an era in which space for fantasies and dreams was limited, and imagination had to turn to fantasy to continue to thrive.