Download Film Studies: The Basics (2nd Edition) by Amy Villarejo PDF

By Amy Villarejo

Movie stories: the fundamentals is a compelling consultant to the research of cinema in all its types. This moment variation has been completely revised and up to date to take account of modern scholarship, the most recent advancements within the and the explosive effect of recent applied sciences. middle issues lined include:

The historical past, know-how and paintings of cinema
Theories of stardom, style and film-making
The motion picture from Hollywood to Bollywood
Who does what on a movie set
Complete with movie stills, end-of-chapter summaries and a considerable thesaurus, movie experiences: the fundamentals is the fitting advent to these new to the learn of cinema.

Show description

Read Online or Download Film Studies: The Basics (2nd Edition) PDF

Best film books

Seeing Is Believing: How Hollywood Taught Us to Stop Worrying and Love the Fifties

Seeing is Believing is a provocative, wise, witty examine the Hollywood fifties videos all of us love-or like to hate-and the thousand sophisticated methods they replicate the political tensions of the last decade. Peter Biskind, former govt editor of preferable, is considered one of our such a lot astute cultural critics. right here he concentrates at the movies each person observed yet no one fairly seemed at—classics like big, at the Waterfront, insurgent and not using a reason, and Invasion of the physique Snatchers—and exhibits us how videos that seem to be politically blameless in reality hold an ideological burden.

The Passion of David Lynch: Wild at Heart in Hollywood

Filmmaker David Lynch asserts that after he's directing, 90 percentage of the time he doesn't be aware of what he's doing. to appreciate Lynch's movies, Martha Nochimson believes, calls for the same approach to being open to the unconscious, of resisting the logical reductiveness of language. during this leading edge ebook, she attracts on those ideas to provide shut readings of Lynch's motion pictures, educated by way of remarkable, in-depth interviews with Lynch himself.

The Big Lebowski: An Illustrated, Annotated History of the Greatest Cult Film of All Time

No matter if contending with nihilists, botching a kidnapping pay-off, observing as his loved rug is micturated upon, or just bowling and ingesting Caucasians, the Dude—or El Duderino if you’re no longer into the total brevity thing—abides. As embodied through Jeff Bridges, the most personality of the 1998 Coen brothers’ movie the large Lebowski is a contemporary hero who has encouraged gala's, burlesque interpretations, or even a faith (Dudeism).

The Sound of Music Companion

The definitive publication at the world's such a lot loved musical, The Sound of song spouse charts the excellent and enduring tale of Maria von Trapp and her tale over the past hundred years – from Maria's delivery in Vienna in 1905 to the fiftieth anniversary of the film's liberate in 2015.

Additional info for Film Studies: The Basics (2nd Edition)

Example text

Immediately thereafter, Laemmle responded with a blasting notice that the story (which, it should not surprise you, he himself had planted) was a vicious lie: “Miss Lawrence was not even in a streetcar accident, is in the best of health, will continue to appear in ‘Imp’ films, and very shortly some of the best work in her career is to be released” (Jacobs 1967 [1939]: 87). He followed up the stories with a visit from Florence Lawrence and the IMP’s leading man, King Baggott, to put all doubts to rest, and adoring crowds, delighted that Florence Lawrence survived, received them.

He followed up the stories with a visit from Florence Lawrence and the IMP’s leading man, King Baggott, to put all doubts to rest, and adoring crowds, delighted that Florence Lawrence survived, received them. If Laemmle created America’s first star, and perhaps America’s first star couple in Lawrence–Baggott, he also gave form to the couple that is more strongly cemented in this story of stardom’s birth: the star and the promotion/publicity apparatus upon which he or she rests. For stars, as Robert Sklar notes in his wonderful history of cinema, are mysteries explained by no single variable: “beauty, performance style, or promotional effort” (Sklar 1993: 72).

Bazin 1997: 8) The problems with the extremes of the continuum become immediately clear, insofar that positioning any given film or filmmaker on this spectrum would lead to a judgment about the director’s political/philosophical value: Rossellini (one of the giants of neorealism) good, Hitchcock bad. Or, more perniciously, Rossellini politically progressive due to his cinematic style, and Hitchcock politically retrogressive due to his. But the kernel of Bazin’s insights into the philosophical and political (and social, historical, industrial, technological, aesthetic, psychological, personal – and I need to add here “religious”) nature of cinematic expression, how it is able to or unable to seize our collective interest and help it coalesce into deep insight about what one grandly used to call the human condition, should not be lost in continued questions about what cinema is.

Download PDF sample

Rated 4.87 of 5 – based on 39 votes

Author: admin