Download Frankenstein Meets Wolfman (Monsters Series) by Howard Schroeder, Ian Thorne, Curt Siodmak PDF

By Howard Schroeder, Ian Thorne, Curt Siodmak

Adapted from the Screenplay "Frankenstein Meets the Wolfman" by way of Curt Siodman.

A werewolf who needs to be published from his curse and die visits Frankenstein's ruined citadel to profit the secrets and techniques of lifestyles and dying.

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George Miller’s Mad Max: Fury Road was another out- lier among last year’s multiplex offerings, for with it the 70-year-old Miller was revisiting a world he’d invented with 1979’s Mad Max, and never relinquished control of in the intervening years. In the case of The Force Awakens, by contrast, one almost sensed a collective sigh of relief at these beloved characters having been wrested away from Lucas, as though this fictional universe had come to mean too much to too many people to be left entirely to the whims of a bearded eccentric, and that the only way to save this franchise was to get the copyright away from their irresponsible owner.

The screenwriter’s apparent self-portrait(s) – as neurotic struggling screenwriter ‘Charlie Kaufman’, and his brash, commercially astute twin ‘Donald’ – tells us outright something that, with most films, it’s so easy to forget: that behind every movie is a writer or writers, although they rarely get to claim the creative credit they consider their due. Based on the fictional Charlie Kaufman’s attempt to adapt a real book by the real Susan Orlean, Adaptation is arguably the most self-dissecting American commercial movie ever, the US mainstream’s equivalent to, say, Godard’s Passion (1982).

In showbiz, it signifies a new start with a clean slate for an established property – I first saw it being used in reference to comic book-based franchises that, either because of initial failure to develop satisfactory traction with audiences, the arrival at a perceived cul-de-sac with the original talent, or the wear of time on performers, were taken back to the drawing board. The phenomenon began in earnest with Christopher Nolan’s Batman Begins (2005), as gritty as they come, and has continued at an urgent pace through the following decade, with Andrew Garfield’s The Amazing Spider- Man (2012) following a decade after Tobey Maguire’s Spider-Man (2002), now both to be supplanted by Tom Holland’s take on the web-spinner.

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