Download Frederic Goudy by D. J. R. Bruckner PDF

By D. J. R. Bruckner

First version. a very good new biography of this recognized kind dressmaker. good illustrated, together with many examples of his designs and an entire exhibiting of all kinds he designed. one hundred forty four pages. fabric, dirt jacket.. 4to..

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Additional info for Frederic Goudy

Sample text

Is reform, howeyer; late in 1896 the Theodore De \ inne. The Chap-Book was probablv the printing with a note asking whether they widely used dis|)lay type iBjpcclxm mTited. to inculcate in those for ently Chicago was not ready for wanted md (Nipcr iiov«b m ite ctPf. 00 its start In in the PRICE 10 CENTS became a decorative desigrjer. gO ,j^ Private primjog in limited editioos especiaily solicited Reasonably high about Goudy during to last four decades. ^ Anatole France. Paul \ erlaine. and worthwhile setting down his ac- of Berthas mother in the Chicago Stephen Crane, and count: suburb of Berwyn.

Once in a blue per- moon an more the result of purely in- in life that dictate changes whole styles, them know indi\"idual designer ^\iLl distinguish and they change rather quickly: Goudy was aware of that reaction. " remark ought "bv some new thought or It was not as an wortli%\ hile to it understand Goudy's on something more substantial. " Tliat his audience understanding: { 33 } "Hap- not doctrinaire about the traditional methods of print- u'- / iVWA/v n 1 A A ABDEGNRS ! 34 1 •:^ >'^r^L . D.

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 them. His own remarks on writing and the development of a feeling of unbroken is each letter to every other and to had drawn had not simply copied some of ters reveal a solid is it? First, it let- knowledge of those hands. But he said that, for himself, the handwriting was not Baskerville very inspirational, that he got a good deal more out of studving the typefaces of people like Jenson, Aldus, Garamond, and manv others. If he was looking to hand- made letters for inspiration, it was invariably to those of the Greeks and Romans and mostly When a type design is good, not because each individual letter form but because there is a feeling of unbroken harmony and rhythm that runs through the whole design, each letter to every other and to all.

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