By Ghitta Caiserman-Roth;Rhoda Cohen
Taking a look at the artistic technique, this paintings invitations the reader to take part in a studying chance concentrated at the discoveries and insights Ghitta Caiserman-Roth and Rhoda Cohen made whereas sharing a studio and drawing jointly. The booklet combines discussion, images in their drawings, and functional educating notes. This constitution permits the authors to percentage their spontaneous dialogue a couple of artistic method of the subject-matter. most significantly, it deals an intimate connection among the reader and the artist-writers. via revealing the main points in their artistic struggles and the problem of operating jointly, Caiserman-Roth and Cohen desire to encourage readers to generate their very own "dialogue" and make their very own discoveries. The frank and private disclosures and hugely person inventive types of the authors will stimulate and inspire a various viewers. those that have constantly desired to draw yet were afraid to aim will be influenced to embark at the artistic strategy. Artists who consider blocked will enjoy the insights of skilled colleagues. these fascinated with the mental or psychoanalytical elements of creativity can be thinking about the several techniques of the artist-teacher and the psychoanalyst-artist. artwork lecturers and scholars will find a wealth of recent recommendations which can help to complement their paintings. eventually, the reproductions of the artists' paintings might be preferred through all paintings enthusiasts.
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Extra info for Insights Discoveries Surprises: Drawing from the Model
I move to a new way of conceptualizing, try new things, and then often I go back to the way I drew before, but in a more layered way - more deeply charged, perhaps. G h i 11 a In one case, when my drawing seemed to change, it was because of a conscious decision to try to change. Do you remember when we moved from the other studio to this one? Another time I was influenced by the light that came sharply into the studio. I looked for light patterns. Each time I try to imagine myself completely innocent.
On the third day, take one of your shape-developed pages and try a line drawing on it. Try different medium-line drawings on each of your shape-developed pages. If you change colours, there are an infinite number of combinations. Line can be contour. Colour can be expressive, rhythmic, decorative, spatial. Line, shape, colour, structure, composition, and organization are all expressive elements of art language. Another blind exercise will deal with the search for the feeling of space. Try painting with your hands, trying to create roundness, and then move behind them.
It takes time. 45 EXERCISES Prepare two brushes and two pots of colour. Assign a different colour and theme to each hand, to activate your left (or right) hand. Close your eyes and try to work simultaneously with both hands. Have your model take two-minute gesture poses, exaggerating the movements of her body. Use newsprint or newspaper (18" x 24") and four or five acrylic colours. Do ten quick paintings of three minutes' duration each. These paintings will be spontaneous and gestural in feeling.